oil, canvas, 75.2 × 100 cm
purchased in 2021 with funding from the Czech Ministry of Culture
This is one of Balabán’s early works, dating from the first half of the 1980s, when his canvases still included descriptive elements. However, the painting is a harbinger of the symbolism that would later move to the core of his work. It depicts the poetic nature of the periphery, a raw “no-man’s-land” in which humans and nature come together. The quiet atmosphere evokes the works of Group 42. The concrete posts and barbed wires recall the fences of prison camps, expressing a commentary on the lack of freedom suffered by people living under a totalitarian regime.