Seven Thorns in a Lip was painted in 1964, the year that the collective Exhibition D opened, which made fully public the anxiety-filled intense mental experience of the aesthetics of destruction. The dying world is symbolised by a waste tip, while the yearning for its reconstruction is expressed by the very technological process that submits the material to brutal treatment, painfully cleaning and then immediately mercifully bandaging the open wounds. In the 1960s the pure essence of painting structure was achieved in Medek’s oeuvre and it allowed the darkness and emptiness of those wounds to be sensed beneath the many layers.